Theme Essay by Jason J. Griffith
There are no hard-and-fast rules about the ethics of spoilers, only the social consequences of being judged as uncouth.
There are no hard-and-fast rules about the ethics of spoilers, only the social consequences of being judged as uncouth.
The nice thing about literary fiction is that it can be anything it wants.
I assumed that Columbine had nothing new to teach me this time around, but my students showed me I was wrong.
Her idea of the poet was old-fashioned—a custodian of language.
More than a few graduates do recollect the Workshop’s warts: episodes of cutthroat competition, the classroom’s sexual jungle.
Here’s what I see each semester when I look out at the crop of new faces: terror.
When people get frustrated because they don’t know what the book is about, it’s because they’re trying to turn it into a college term paper.
They think people are either born to be writers or they’re not.
One of my students told me, 'So I closed my eyes and wrote on the dark insides of my eyelids.'
The liveliest, best-paced writing ends each paragraph with a snapper.