TW Interview by Donna Tallent
I watched my creative friends and learned how they made time for art: They stole their time back from the things that didn’t matter.
I watched my creative friends and learned how they made time for art: They stole their time back from the things that didn’t matter.
The flash form often invites me to use what I call a communal or a collective voice.
Whoever is holding the book is the beloved in some sense.
You really have to swim down into yourself when you’re writing, which is why people confuse it all with mental illness.
I just knew that, as a black woman, if I wanted to write, I needed some credentials.
At the heart of all young adult literature is this equation: belonging + power = identity.
I like when the world is strange enough that you really have to pay attention.
The currency of movements—passion, spirit, creativity, the willingness to spend our bodies—is the only alternative.
Whatever kind of poetry you write, it’s hard not to get discouraged.
It’s toxically lethal for writers to perceive themselves as geniuses able to dash off greatness.